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Hammerborgs on film

Since becoming addicted to The Killing and Borgen we've tried out a mixed bag of other Danish TV series, and most recently have been watching [more]

Why Jo Hammerborg's Orient is incomplete without its louvre

So the first Jo Hammerborg light reproduction has finally appeared, and the wisdom of the crowd has made itself apparent in our poll by correctly [more]

Changes ahead in the market for Jo Hammerborg lights

One of the features that has driven the increasing popularity of 60s and 70s Fog & Mørup lighting as a target for collectors – along [more]

Fog & Morup did not produce Carl Thore lights

In recent months we have noticed an apparent increase in the number of eBay sellers repeating the incorrect claim that the multilayered pendant lamps usually [more]

Jo Hammerborg and the Formland lamp series

The information that emerged from our correspondence with the Hammerborg family over the past 18 months (which has informed our new biography of Jo Hammerborg) [more]

Our new website dedicated to Jo Hammerborg

In May 2011 we wrote a post laying out the few facts we had been able to gather together during ten years of trawling through [more]

Solved! the Danish star light designer mystery

A couple of years ago we wrote a post (which you can read here) about the fact that we had been unable to find reliable [more]

Another twist in the Jørn Utzon Søvaernspendel debate

The identity of the designer of the Søvaernspendel, the light produced first by Nordisk Solar Compagni and later by Louis Poulsen, has been the subject [more]

The lights of Louis Weisdorf: Multi-Lite (1974)

The economic downturn of the 1970s brought new challenges for the designers of high-end lamps and other luxury goods, as producers' support for the experiments [more]

The lights of Louis Weisdorf: Ekko (1968)

EkkoThe Ekko is another of Louis Weisdorf’s designs based on repeating – or echoing – elements, though in this case the angular metallic sections take two forms, the two end pieces differing from the three central ones.

The overall impression is a harmonious yet delicately balanced object that wouldn’t surprise you if it were to move or produce a sound. The layered triangular elements completely shield the eye from glare, while narrow beams of light escape to spread across the shade itself and highlight its angular sculptural form, adding to the lamp’s central downward illumination. “It’s quite a technical creation,” says Weisdorf. “I rather like its technicality.”

The Ekko was designed in 1966 and produced by Lyfa from 1968, shortly after Weisdorf Ekko – while still at Tivoli – set up his own design studio in Kompagnistræde in Copenhagen’s old city, sharing the premises with architect Ole Panton (the younger brother of Verner), who also designed lamps. The Ekko had a diameter of 19cm and a height of 32cm, and came in two colour schemes – orange/terracotta and lilac/violet.

Little is known about how long the Ekko remained in production or how many were made. Its relatively understated expression and the ease with which the sections can be separated from one another may have caused a proportion to be lost in the intervening years. It is only rarely seen for sale today, and because it is seldom recognised for what it is, prices tend to be lower than might be expected.

© 2011 Sune Riishede and vintage-danish-lights.com. All rights reserved. This article is based on extensive correspondence between Louis Weisdorf and Sune Riishede and a personal meeting in November 2011 at the architect’s Copenhagen residence. The article and its contents may not be copied or reproduced in any part or form without the prior written permission of the copyright holders. Links to http://www.vintage-danish-lights.com/the-lights-of-louis-weisdorf-ekko-1968 are welcome.

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