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The lights of Louis Weisdorf: Multi-Lite (1974)

The economic downturn of the 1970s brought new challenges for the designers of high-end lamps and other luxury goods, as producers' support for the experiments [more]

The lights of Louis Weisdorf: Ekko (1968)

The Ekko is another of Louis Weisdorf's designs based on repeating – or echoing – elements, though in this case the angular metallic sections take [more]

The lights of Louis Weisdorf: Turbo (1967)

Louis Weisdorf created the design for his Turbo pendant light in 1965, and in 1967 Lyfa was ready to start production. Consisting of 12 uniform [more]

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The lights of Louis Weisdorf: Multi-Lite (1974)

Multi-LiteThe economic downturn of the 1970s brought new challenges for the designers of high-end lamps and other luxury goods, as producers’ support for the experiments of the 1960s gave way to a constant refrain of “No thanks”, “It’s too expensive”, or “It can’t be sold”.

Among Louis Weisdorf’s 1970s lamp designs, the Multi-Lite is one of the few to be taken into production – and if it hadn’t been for the climate of austerity and the consequent policy of restraint, it would be known today not just as a pendant light but also as a floor lamp and a wall light.Multi-Lite

The core of the Multi-Lite is a two-cylinder form that would work as a shade on its own but is additionally encompassed by a large metal ring anchoring two quarter-spherical shells. The shells can be individually rotated to create multiple arrangement combinations. In Weisdorf’s Copenhagen studio a large poster illustrates several of the numerous possible arrangements.Multi-Lite

Weisdorf made the drawings for the Multi-Lite in 1972 and Lyfa produced it from 1974. It came out in two colourways – one in white with a chrome ring, and the other in matt-finished brass with a white interior.

The Multi-Lite is an exception to the Weisdorf rule of multiply repeating elements, but reflects another of his passions – for objects that can do something, change into something else, be “multi”. Multi-LiteIt can be an uplighter one day, a downlighter the next, an asymmetrical art light the third. “It’s a bit more complex,” says Weisdorf about this light.

The Multi-Lite’s timeless expression meant it fitted well into domestic settings in each of the following decades, so that it has been in use in many homes to this day and has consistently tended to fetch high prices at auction and elsewhere.

© 2011 Sune Riishede and vintage-danish-lights.com. All rights reserved. This article is based on extensive correspondence between Louis Weisdorf and Sune Riishede and a personal meeting in November 2011 at the architect’s Copenhagen residence. The article and its contents may not be copied or reproduced in any part or form without the prior written permission of the copyright holders. Links to http://www.vintage-danish-lights.com/?p=2209 are welcome.

The lights of Louis Weisdorf: Ekko (1968)

The Ekko is another of Louis Weisdorf's designs based on repeating – or echoing – elements, though in this case the angular metallic sections take two forms, the two end pieces differing [read more...]

The lights of Louis Weisdorf: Turbo (1967)

Louis Weisdorf created the design for his Turbo pendant light in 1965, and in 1967 Lyfa was ready to start production. Consisting of 12 uniform aluminium lamellae spiral-twisted to form a flower-like sphere [read more...]

The lights of Louis Weisdorf: Facet (1966) and Facet-Pop (1970)

In the Facet pendant light, designed by Louis Weisdorf in 1963 and produced by Lyfa from 1966, the particular art of Weisdorf's lighting designs is perhaps most clearly visible. Like a 3D jigsaw puzzle, [read more...]

The lights of Louis Weisdorf: Konkylie (1964/65)

In 1963 when Danish architect Louis Weisdorf made the drawings for Konkylie, the first of his light designs, nine years had passed since (aged 22) he'd been one of the youngest ever graduates of Copenhagen's Royal Academy, [read more...]

More on the origins of the Søvaernspendel

A Danish reader, Harry Møller Nielsen, left a most interesting comment yesterday on our blog entry Jørn Utzon and the Søvaernspendel, one of two we wrote last December [read more...]

Your favourite Louis Weisdorf light design

It's been some time since our last blog post, but we haven't been idle in the meantime, and our main project has been to give our sister site Classic Modern a complete redesign and makeover. We've also been making progress on [read more...]

In memory of Claus Bolby (1944-2011)

Today we heard the sad news that veteran Danish lighting designer and producer Claus Bolby, founder of Cebo Industri and creator of the popular acrylic light series Symfoni and Veega (pictured below), died last night after a long illness [read more...]

A tale of two Topans: the Pendant & the Spot

Verner Panton's futuristic 1959 Topan light design for Louis Poulsen has rarely been out of the limelight in its more than 50 years of existence. Frequently copied and never out of style, the clipped sphere [read more...]

Finn Juhl and the drivers of vintage value

The perceived value (and so the price) of a vintage Danish light is usually fairly closely related to its historical retail price. Broadly speaking, the more expensive the light originally was, [read more...]